PAUSE

pause

 

The A To Z Of SFF has entered an extended phase of hibernation.

The archive is available to stream and download via our website and iTunes vectors, which will remain open. However, there will be no new episodes of The A To Z Of SFF in its current format.

Updates will be issued as they become available.

 

Thank you for listening.

R Is For Rogue One: A Star Wars Story


Rogue One: A Star Wars Story tells the story of the brave rebels that stole the plans to the Death Star and led us into the opening crawl of Star Wars: The Episode Four. Is it a story that needed to be told? Let’s just say that Rob and Clive… disagree.

Strap in. Frank exchange of views ahead.

C Is For Class


After the Doctor saves the day and vworps off in the TARDIS, very little thought is given as to what happens next. Until now, that is.
YA spinoff Class pits a ragtag group of mismatched youths left in charge of a rift in space-time against alien threats. Nothing like a DW retread of the Buffyverse, then…
To be fair, Class is smarter and much more watchable than the setup suggests. Join Rob, Clive and Curiosity as they check out the pilot episode!

H Is For Hardware


A dose of grimy 90s cyberpunk from director Richard Stanley that’ll leave you feeling like you need a shower. Great practical effects, some creative gore and a heavily-encrusted aesthetic makes this a retro pleasure. But there’s a controversy at the heart of the film, that led to an unexpected credit nod for a couple of 2000AD writers. Let Rob, Clive and Curiosity give you the lowdown…


G Is For God Told Me To


The last of our Spooky SFF episodes celebrates a gritty slice of New York noir that twists and turns into a highly freaky slice of horror-tinged SF. From acclaimed low-budget film-maker Larry Cohen, this is a film that takes virtue from the lack of money. Cohen favours invention and good writing over special effects Sturm und Drang.
A meditation on identity, religion and family, God Told Me to is a powerful piece of work that really stays with you. A fitting end to our exploration of the horrific side of SFF!


S Is For The Stone Tape


 

Onwards with Spooky SFF month, as we discuss a massively influential slice of hauntological freakiness: Nigel Kneale’s terrifying The Stone Tape.

It ticks all the boxes: 70s setting, shot on video, Radiophonic Workshop soundtrack. A sharply empathetic performance from Jane Asher helps to elevate this story, but the whole thing is deeply unnerving and still bloody scary.
This is what happens when you try to solve the science behind hauntings…

Includes the first instance of a new term from Rob: cathode-punk.


GUYSGUYSGUYS! The Stone Tape is on Cosmic VideyouTube! Dim the lights, pour yourself a scotch and indulge.

S Is For The Sword And The Sorcerer


We continue Spooky SFF month with the bizarre gore-drenched fantasy-horror The Sword And The Sorcerer.
It’s a formative experience for both our futurenauts for various reasons (including a parental ban from Clive’s mum and dad). Master of exploitation Albert Pyun’s first movie, it features changes in tone rapid and extreme enough to give you whiplash. From swashbuckling to sadism, this movie has it all!


L Is For Lifeforce


It’s October, which means Curiosity is skewing spooky. This month our over-excitable alien chum is feeding Rob and Clive titles with an extra layer of creepyplasma.
We start with Tobe Hooper’s Lifeforce–a deranged slice of Quatermass-style oddness with added nudity, exploding corpses and weapons-grade scenery-chewing. This one has to be seen to be believed, and even then you won’t believe what you’re seeing.